Wednesday, June 22, 2011
Remembering John MacKenzie
after he has left this world forever?
I only know what I can say, and I tried to express my love and admiration for John in a poem I wrote. But it somehow doesn't seem enough.
John MacKenzie passed away on May 3, 2011. He was 89 years old. And he was my dear friend for 12 years.
John listened to me endlessly gripe (when I was in a deep depression). He designed the cover of my first chapbook of poems (for free). He fed me when I was broke and hungry. He encouraged me to make the most of life - even as his own health declined.
He believed art made life worth living. And he was still painting on May 3rd - his last day on this earth. So it's too difficult to say goodbye. I prefer, "I'll be seeing you." And I thank you much for all of your patience and love.
VAN GOGH'S CROWS
If I should die
as the sun sets
and the crows fly
will you forget me?
If I should die
as my blood drips
and the saints cry
will you remember me?
After the paint's dry
and the critics lie
and the crows die
will you forget me?
After I die
and a new sunrise
and the crows fly
will you remember me?
Poem © 2009 by Dylan Mitchell
Thursday, June 2, 2011
What If Straight People Couldn’t Get Married?
The gay man's face tensed up, but he didn't say anything more. However, the incident really got me thinking about the gay marriage issue, and how some straight folks seem to be clueless when it comes to understanding why so many gay folks are fighting for the right to legally get married.
Let's imagine (to help me make my point) a world in which straight people can't get married. A world in which gays and lesbians are casually stating, "God made Adam and Steve (or Amanda and Eve), not Adam and Eve." A world in which straight people see gays and lesbians getting married on television, in the movies, newspapers and magazines, but never any straight couples. A world in which gays and lesbians defiantly hold protests every time straight people fight for the right to legally get married. A world in which gays and lesbians openly hold hands and/or kiss each other in public, but straight people risk ridicule or worse - if they try to express their love for each other in the world.
Now let's throw in the Bible for good measure (pretend there are sections which clearly state that heterosexuality is an abomination, and the holy union between man and man, woman and woman - is something which pleases God to no end). If you are a heterosexual, how would all of this make you feel? Would it make you angry, depressed, or apathetic? Especially if the idea of straight marriage was considered a "ridiculous" one by many.
Essay © 2007 by Dylan Mitchell
Monday, April 18, 2011
MOTHER TERESA: A BEAUTIFUL SAINT WITHOUT FAITH
But the letters were preserved against her wishes. So now we discover that her loving smile was often a mask, and the beautiful words she often stated in public were not words she honestly felt in her heart. She suggested ways to make the world a more loving place, but often felt her words were insincere. She'd learned how to say all the right things, and smiled for the cameras when she was weeping inside.
Does this make Mother Teresa a hypocrite? No, it makes her human, and all the more remarkable. She was a saint without faith, and there are not very many of those. She continued to love the poorest of the poor (and help them even after her doctors had warned her that she was ruining her own health). She taught us that we all have the potential to become saints: that there really is nothing special about it: Give help where it is needed most; love people the world has given up on; any act of kindness (no matter how seemingly small) is better than doing nothing at all.
In short, she taught us to save the world by saving one person at a time. And that is how she lived her life. And to accomplish such a miracle without faith, makes her even more heroic in my mind. Mother Teresa was a saint, but she was a very human one: She moved mountains without faith. I know this to be true, because I read it in TIME magazine.
Essay © 2007 by Dylan Mitchell
Friday, April 8, 2011
My Computer is Done For...
But I'm really not complaining. Sure, I'll miss sending (and receiving email). Plus I won't be able to update my blog: I was looking forward to composing a chapbook review or two. But perhaps it's time to take a break from all that.
Hell, my computer is OLD. And we've shared many good years together. May my tired old Mac rest in peace. Amen.
It's time to buy a notebook and a really good pen. No shame in that. Just ask Whitman and Dickinson.
I'm grateful my days of being alive online -- ended on a happy note: James H Duncan (he edits Hobo Camp Review) included one of my poems in the spring issue of his online poetry and fiction review.
I suggest taking a long peek: The poets and writers are the unafraid kind (think Whitman, Dickinson, Ginsberg, Sexton, Plath, etc.). Plus add Corso and all the other major Beat writers. And you will discover a new generation of poets and writers that are quite happy to be on the unpredictable road -- and have little desire to settle down in the safe suburbs. It's all about taking risks. Hell, no lives of quiet desperation for these folks! And I should know! We are like a family of deliberate misfits (IMHO).
Anyway, here's the link to the site: http://hobocampreview.blogspot.com/
And this is my poem: I'd like to thank James for including my work with the poetry and prose of so many truly gifted writers. I am genuinely humbled.
So here you go. I'll be thinking of all of you as I put pen to paper. Be happy and well.
In The Dark Café
It grows cold out there.
But I didn't call, I didn't call
before I ran away from home.
The large hot tea is sweet and good.
I've finished my cake, but hunger
for something more. Young people
smile and smoke, and remind me
I am getting old. Too
old for the insane games
he forced me to play at home.
The small voice inside saying:
be careful be careful.
(He watches my window, and
wants me to know. Five days
in a row, shrill messages at dawn,
until I took the phone off the hook.
Now notes on my door. Red
rage bleeding on every page.)
It seems so much saner here.
Two skeletons play chess.
A homeless girl reads The Catcher In The Rye.
The hot waiter dances,
like a young Travolta.
I glance at a poet and become calm and bold
(he counts his long fingers after every line).
I remember a sonnet I wrote in school:
A disconnected phone can't make you cringe,
and better locks may keep you safe inside.
Because you failed to give back love to love –
the angry ravens watch you from above.
I am far far from home.
I've come to this place to think and mend.
These smiling strangers are my only friends.
My stalker's at home.
It grows colder outside.
I write this poem instead.
© 2011 by Dylan Mitchell
Tuesday, April 5, 2011
FALLING DOWN
as I rise from my bed
like a stubborn corpse
While people are burned
and buried alive
here I make stiff fingers move
shuffle my numb feet
toward life
Mad planes seek easy targets
in the sky Here I put on my
hat, let the elevator
drop me down
to the basement
below Maybe a miracle
will come in the mail
one day soon
The Disability checks
won't stop
I won't lose the subsidized
roof over my head
untold loaves of
bread will appear in the
empty cupboard like magic
And good blood will
flow through my sick
veins once again
Thank you
America
The Twin Towers fall
and some 3,000
souls are gone
Here I abandon my bed
sip weak coffee
and squint at the
12 inch screen
In New York City
a homeless man has
hung an American flag
across the side of his
cart But I only see
hunger and early
coffins here Red is the
color of blood, ashes
are white, bruises are
blue Now a barefoot girl
has wrapped a flag
around herself like a
shroud Her face is a
mask of ash, her dark
eyes are ringed with
blood, blue bruises
disfigure her feet
She is an American
saint on display
A letter in the mailbox
is a dangerous
thing now, but
I am already falling, falling
Since bombs or germs
won't make my world
worse: I open my mail
never think to wash my
hands, check the empty
cupboard one more time,
and wait for my world
to explode
Poem © 2009 by Dylan Mitchell




