STILL I RISE
You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
- Maya Angelou
Thursday, May 29, 2014
Monday, May 12, 2014
ROWING WITH ANNE SEXTON
How right you are, Anne. But you were always
right - even when your worst critics tried to
silence your awful truth.
So I've flipped the pages of my dusty
calendar, and have seen May for the first
time this year:
An enormous field of lazy lavender flowers. How
I long to sleep in such a rich and natural bed!
Instead, I bought a new 100 watt bulb,
and lit up my dark cave in the sky. Now I am wide
awake. I see too much dust and death, and a
rare living sunflower or two. I place my frozen
TV dinner in the microwave, and read your holy
words while I wait for that faint little bell to tell
me my toxic meal is done.
I now have light, Anne. But there is no life
saving soup. There's no home or heart when
depression has robbed its victim of
everything that matters most: Family, friends, joy,
those silly little bruised flowers on the bank
calendar page. So I read your poems, and wait for the
rowing to come. I know it might never happen: That awful
rowing toward God. But you came so very close, Anne.
That's the tragedy for people like us:
We came so fucking close.
Poem © 2014 by Dylan Mitchell
Sunday, April 27, 2014
VIRGINIA DAVIS (11/1/42 - 10/22/13)
UNTITLED
disease is by choice
my mother had jungle
rot
and my father
gangrene
I went mad
believing all
my red corpuscles
were explosive devices
commanded by Mao
and one false step
would blow my mind
so I moved
with crazy
grace
the way
the cripple
and the child
dance
every
movement
a prayer
there were cures
my mother washed
her hands every
two hours for a
year
and they cut
off
my father's toe
in mid-dance
I was locked
in a room
with no handle
on the door
you may ask
how I came
to be here
it wasn't easy
Poem © 1994 by Virginia Davis
Thursday, April 24, 2014
STREET ROOTS: I AM NOT A POET
Two of my poems are included in this awesome 15 year anthology of street poetry and art. Given that I rarely submit my work for publication anymore (finally decided that the Emily Dickinson approach to writing poetry is the most honest way to go), I was both astonished and happy to find my poetry in a book (I frequently take a long peek at the new poetry available at Central library - that's where the best poems can be had for free, etc.). So when I chanced upon this book in the poetry section, my heart skipped a beat or three. I AM NOT A POET is on my desk as I write these words.
What a joy to read (again) the poetry of Sherry Asbury, Israel Bayer, Kevin Hull, Jay Thiemeyer, and C.A. Mesch! How well I remember the timeless hours spent at that long (Last Supper) table. And there really was something holy about confessing all our so-called sins in a poem. Because we knew (deep down) that we were good people at heart - even when society did its best to make us feel invisible and unwanted. Street Roots became our church.
I've been reading (and admiring) this book for the last two weeks. Alas, I'll have to return it to the library at the end of the month. If you are a lover of poetry (and art), I suggest you give this book a very long peek. You will discover that beauty can be found in places you've never visited or known. So don't be a stranger. I have seen the most beautiful stars from the gutter. We are all connected.
http://streetroots.org/iamnotapoet
Poetry/Art
Street Roots, 2014
Reader Rating:
10/10
P.S. A copy of this book (at Central library) has already went missing. That really does say a lot (in more ways than one).
Review © 2014 by Dylan Mitchell
Wednesday, April 2, 2014
STANLEY'S CASE
(After Harold Pinter's The Birthday Party)
Boy, why are you so menaced by the world? Is it
God or his death that troubles you so? Making you
quite fey: A little lisping Adam without your prized
testicles. You really are a remarkable case: A
miserable shut-in, you see, you seldom leave your
small room. A lot like Stanley: Open and shut. Quite
curious and classic - that sort of case. But in
America. Only go out when the full moon's watching
you above. The wet streets reflect pale light and
queer passing shadows, as you make your way to
the neighborhood liquor store: Heineken. 22 OZ. Big
green bottle. I see you, boy. I've watched you
nervously count your last pennies for the
butch and angry cashier. A regular Roman, that one.
And your stringy Jesus hair and pathetic sandals only
make him want to string you up, like a scarecrow or
Christ. He'll make you suffer, boy. He makes you
suffer. All the way out the door.
You seem better during your long walk home. Notice
the many bright lights in the chill December
night. Little Drummer Boys abound. The
Christ's-child's safe in the miniature
barn. If I could, I'd tell you beauty and
truth are just artificial things to help pass
the time: Art. Philosophy. Religion -
all pretty lies, boy. All pretty lies. Give your blood
money away to the least of your kind instead.
Whisper your false words in a beggar's lonely ear.
Tell him silver is greater than love. Pretend it's a
prayer, a holy promise. Then betray him with a kiss.
It's your ticket to heaven, boy. Much easier than a
noose. The Romans would have loved the shameless
Christ-lights, not because they are such a stunning
spectacle of ceremony, but because they are electric
and would have come in handy for the daily crucifixions.
They'd merely turn the crosses into wooden chairs -
a kinder way to kill. Romans. Real men. Adam
with his silly balls intact, boy.
Poem © 2014 by Dylan Mitchell
Boy, why are you so menaced by the world? Is it
God or his death that troubles you so? Making you
quite fey: A little lisping Adam without your prized
testicles. You really are a remarkable case: A
miserable shut-in, you see, you seldom leave your
small room. A lot like Stanley: Open and shut. Quite
curious and classic - that sort of case. But in
America. Only go out when the full moon's watching
you above. The wet streets reflect pale light and
queer passing shadows, as you make your way to
the neighborhood liquor store: Heineken. 22 OZ. Big
green bottle. I see you, boy. I've watched you
nervously count your last pennies for the
butch and angry cashier. A regular Roman, that one.
And your stringy Jesus hair and pathetic sandals only
make him want to string you up, like a scarecrow or
Christ. He'll make you suffer, boy. He makes you
suffer. All the way out the door.
You seem better during your long walk home. Notice
the many bright lights in the chill December
night. Little Drummer Boys abound. The
Christ's-child's safe in the miniature
barn. If I could, I'd tell you beauty and
truth are just artificial things to help pass
the time: Art. Philosophy. Religion -
all pretty lies, boy. All pretty lies. Give your blood
money away to the least of your kind instead.
Whisper your false words in a beggar's lonely ear.
Tell him silver is greater than love. Pretend it's a
prayer, a holy promise. Then betray him with a kiss.
It's your ticket to heaven, boy. Much easier than a
noose. The Romans would have loved the shameless
Christ-lights, not because they are such a stunning
spectacle of ceremony, but because they are electric
and would have come in handy for the daily crucifixions.
They'd merely turn the crosses into wooden chairs -
a kinder way to kill. Romans. Real men. Adam
with his silly balls intact, boy.
Poem © 2014 by Dylan Mitchell
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